ALL PROJECTS
FORCES AT THE FRINGE 2024 – FRONTLINES & LIFELINES
Fundraising, design, production and curation of an Edinburgh Festival Fringe Venue at the War Poets Collection, Edinburgh Napier University, 2024
COVENANT
Production and curation of an exhibition of contemporary artwork looking at military connections in the Northeast Highlands, Moray Art Centre, 2024
ARMY AT THE FRINGE 2023 – CONNECTED PASTS, CREATIVE FUTURES
Fundraising, design, production and curation of an Edinburgh Festival Fringe Venue for the British Army in Scotland Edinburgh, 2023
GLASGOW UNIVERSITY - ADAM SMITH 300 AUDIO TRAIL
Production and direction of immersive audio trail marking the 300th Anniversary of Adam Smith’s Birth, Scotland, 2023
ARMY AT THE FRINGE 2022 – DIFFERENT VOICES, ONE TEAM
Fundraising, design, production and curation of an Edinburgh Festival Fringe Venue for the British Army in Scotland Edinburgh, 2022
LOSSIEMOUTH HERITAGE TRAIL
Production of fishing heritage immersive audio trail Lossiemouth, Scotland, 2021
COVENANT – LIFE BEHIND THE WIRE
Production and curation of an exhibition of contemporary artwork looking at military connections in the Northeast Highlands, Moray Art Centre, 2021
SCOTTISH MANUFACTURES
Production of live-streamed Performance Art Work and subsequent film Royal Scottish Academy to Memorial to French Prisoners of War, Penicuik, 2021
AUSTRIAN CONSULATE TO THE KINGDOM OF THE NETHERLANDS – BEGÉGNUNG UNIVERSITY
Digital interaction design for AT Wissenschaftsnetzwerk conference Rijksuniversiteit Groningen, Netherlands, 2020
PORTOBELLO PAVILION 20 – DISTANT, BUT TOGETHER
Fundraising, design, production and curation of a ten-day community arts festival hub within a park, without a structure due to Covid rules. Powis Square, Notting Hill, London, 2020
EMBASSY OF THE KINGDOM OF THE NETHERLANDS TO THE UK - NORTH SEA NEIGHBOURS
Production of six, hour-long radio broadcasts featuring Dutch artists in conversation with British Artists. Spotify, 2020
REFORMATION UK FLAGSHIP STORE LAUNCH
Design and Creative Production of launch of Reformation UK store for LFW AW19. Bay 66 Skate Park, Notting Hill, London
ARMINIUS CONGRES EN DEBATCENTRUM - NOTHING COMPARES TO EU
Creative direction set design and production of a “Brexit Festival” to investigate Britain’s departure from the European Union. Arminius, Museumpark, Rotterdam 2019
ARMINIUS CONGRES EN DEBATCENTRUM - ROTTERDAMSE BOEKENBAL
Creative direction of Rotterdam’s annual writers’ ball. Arminius, Museumpark, Rotterdam 2019
PORTOBELLO PAVILION 19 - PIRATE SLOOP
Fundraising, design, production and curation of a ten-day community arts festival hub within a specially commissioned structure. Powis Square, Notting Hill, London, 2019
THE NATIONAL TRUST, THE NATIONAL ARCHIVES – SUFFRAGETTE CITY
Production, direction and design of a two-month immersive exhibition based on archival material, marking the 100th anniversary of the grant of suffrage to some women. London Pavilion, Piccadilly Circus, London, 2018
NEO FUTURIST COLLECTIVE - THE FINAL NOISE 10-YEAR RETROSPECTIVE
Fundraising, production and design of a three-month intervention within the Estorick Collection of Modern Italian Art to celebrate the tenth anniversary of the neo-futurist collective. Estorick Collection, London, 2018
BRITISH COUNCIL ISRAEL AND BE’ER SHEVA FESTIVAL - THE OUTSIDER ROOM
Co-production with Clipa Theater of an adaptation of The Outsider by Albert Camus. Gateway to the Negev Visitors Center, Be'er Sheva, Israel, 2018
PORTOBELLO PAVILION 18 - BRILLIANT SCHOOL
Fundraising, design, production and curation of a ten-day community arts festival hub within a specially commissioned structure. Powis Square, Notting Hill, London, 2018
THE NATIONAL TRUST, THE NATIONAL ARCHIVES - THE CARAVAN CLUB
Production, direction and design of a two-month immersive exhibition and cabaret club based on archival material, marking the 50th anniversary of the partial decriminalization of homosexuality. Freud Bar, Covent Garden, London, 2017
PORTOBELLO PAVILION 17 - BAM-BOO
Fundraising, design, production and curation of a ten-day community arts festival hub within a specially commissioned structure. Powis Square, Notting Hill, London, 2017
InTRANSIT17 – ISLAND LIFE
Fundraising, production, curation and design of a site responsive commissioning multi-disciplinary arts festival of over twenty new art works in the public realm. The Royal Borough of Kensington and Chelsea, 2017
LONDON CONTEMPORARY ORCHESTRA - ACROSS WHITE AIR
Creative Direction of an immersive concert. Spitalfields Festival, St Leonard’s Church, London, E1, 2017
BORDER CROSSINGS AND ASHTAR THEATRE - PLAYS OF LOVE AND WAR
Production of a site-specific première of Brian Wooland’s This Flesh Is Mine and When Nobody Returns. Nour Festival, Underneath the Westway, London
Client: Border Crossings Theatre Company, London, ASHTAR Theatre, Palestine
PORTOBELLO PAVILION 16 – THE ARC
Fundraising, design, production and curation of a ten-day community arts festival hub within a specially commissioned structure. Powis Square, Notting Hill, London, 2016
InTRANSIT16 – STRANGE BEDFELLOWS
Fundraising, production, curation and design of a site responsive commissioning multi-disciplinary arts festival of over twenty new art works in the public realm. The Royal Borough of Kensington and Chelsea, 2016
THE NATIONAL TRUST - LIVES, LOVE AND LOSS
Production, direction and design of a two-month immersive exhibition and cabaret club based on archival material. Fenton House, London, NW1, 2016
BORDER CROSSINGS, LONDON x ASHTAR THEATRE, PALESTINE - PLAYS OF LOVE AND WAR
Site-specific première of Brian Wooland’s This Flesh Is Mine and When Nobody Returns Nour Festival, Bay 56 Underneath the Westway, London, W10, 2016
PORTOBELLO PAVILION 15 – ART| HOUSE
Fundraising, design, production and curation of a ten-day community arts festival hub within a specially commissioned structure. Powis Square, Notting Hill, London, 2015
THE NATIONAL TRUST - WESTWAY BEACH
Production, direction and design of a beach to celebrate the 50th anniversary of the Neptune Coastline Campaign. Bay 56, Underneath the Westway, London, W10 2015
InTRANSIT15 – UTOPIAS AND REALITIES
Fundraising, production, curation and design of a site responsive commissioning multi-disciplinary arts festival of over twenty new art works in the public realm. The Royal Borough of Kensington and Chelsea, 2015
NEO FUTURIST COLLECTIVE - REVOLUTION #10
Fundraising design and production of sound artwork. Estorick Collection, London; Fabrica, Brighton; The House of Commons, London 2015
SILENT OPERA - LIVE, REVIVE, LAMENT
Fundraising, production and design of a site responsive opera series. Aldeburgh Festival, Suffolk, Saatchi Gallery, London 2014
JONNY GREENWOOD WITH THE LCO SOLOISTS
Fundraising, production and design of a site responsive concert series. Wapping Hydraulic Power Station; The Wind Tunnels, Farnborough, 2014
InTRANSIT14 – HOW GOOD IT IS TO DWELL TOGETHER IN UNITY
Fundraising, production, curation and design of a site responsive commissioning multi-disciplinary arts festival of over twenty new art works in the public realm. The Royal Borough of Kensington and Chelsea, 2014
LONDON CONTEMPORARY ORCHESTRA - IMAGINED OCCASIONS – CATCH
Fundraising, production and design of the third concert in a three-part site responsive concert series commissioning new music responding to Thomas Ades’ Catch, and the philosophy of Kierkegaard. Oval Space, London, 2013
LONDON CONTEMPORARY ORCHESTRA - IMAGINED OCCASIONS – KLANG
Fundraising, production and design of the second concert in a three-part site responsive concert series commissioning new music responding to Karlheinz Stockhausen’s Klang and the philosophy of Kierkegaard. Primrose Hill; The Roundhouse, London, 2013
LONDON CONTEMPORARY ORCHESTRA - IMAGINED OCCASIONS – GLAUBST
Fundraising, production and design of the first concert in a three part site responsive concert series commissioning new music responding to Claude Vivier’s operatic fragment Glaubst du an die Unsterblichkeit der Seele and the philosophy of Kierkegaard. Aldwych Underground Station, London, 2013
NEO FUTURIST COLLECTIVE - THE BALLAD OF SKINNY LATTES AND VINTAGE CLOTHING
Fundraising, design and production of site responsive and immersive performance artwork about gentrification. Trellick Tower, Kensington; WSD 2013, Cardiff; University of Surrey; Estorick Collection, 2013
SECRET CINEMA PRESENTS BRAZIL
Production and Design of an immersive theatrical experience based on a classic, undisclosed film. Ex BT Building Delta Point, Croydon, Surrey, 2013
SECRET CINEMA PRESENTS BUGSY MALONE
Production and Design of an immersive theatrical experience based on a classic film. The Troxy, London; Wilderness Festival, Oxfordshire, 2012
SECRET CINEMA PRESENTS LA HAINE
Production and Design of an immersive theatrical experience based on a classic film. Broadwater Farm, Tottenham; The Troxy, London; Le Trianon, Paris; Leeds Festival, 2012
SECRET CINEMA PRESENTS PROMETHEUS
Production and Design of an immersive theatrical experience based on an undisclosed film. 132 Hampstead Road, London, 2012
SECRET CINEMA PRESENTS THE SHAWSHANK REDEMPTION
Production and Design of an immersive theatrical experience based on a classic, undisclosed film. Bethnal Green Library; 3 Bedford OB coaches; Cardinal Pole School, London, 2012
SECRET CINEMA PRESENTS GHOSTBUSTERS
Production and Design of an immersive theatrical experience based on a classic film. Alte Münze, Berlin, 2011
SECRET CINEMA PRESENTS THE THIRD MAN
Production and Design of an immersive theatrical experience based on a classic, undisclosed film. Farmiloe Building, London, 2011
WORLD LISTENING DAY – COMMON SOUNDS
Production and design of an immersive exploration of a derelict building with newly commissioned dance, music and installation. Former Commonwealth Institute, Kensington, London, 2011
SECRET CINEMA PRESENTS THE RED SHOES
Production and Design of an immersive theatrical experience based on a classic, undisclosed film. Tobacco Dock, Wapping, London, 2011
SECRET CINEMA PRESENTS THE BATTLE OF ALGIERS
Production and Design of an immersive theatrical experience based on a classic, undisclosed film. Old Vic Tunnels, Waterloo, London, 2011
SECRET CINEMA PRESENTS ALIEN
Production and Design of an immersive theatrical experience based on a classic film. Umspannwerk, Alexanderplaz, Berlin, 2010
SECRET CINEMA PRESENTS ONE FLEW OVER THE CUCKOO’S NEST.
Production and Design of an immersive theatrical experience based on a classic, undisclosed film. Princess Louise Hospital, Kensington, London, 2010
SECRET CINEMA PRESENTS LAWRENCE OF ARABIA.
Production and Design of an immersive theatrical experience based on a classic, undisclosed film. Alexandra Palace, London, 2010
WORLD LISTENING DAY - SOUNDSCAPES OF EAST LONDON.
A site-responsive exploration into urban noise in a car-park, pairing movement artists with sound artists. Shoreditch Festival, Crondall St carpark, London, N1, 2010
THE MARSH.
An immersive theatrical experience based on Sir Ronald Ross’ The Marsh. London School of Hygiene and Tropical Medicine Library, Mosquito Day, 2010
ALL COMMISIONED WORKS
CODE RED FOR HUMANITY (2024)
Australian Defence Force Creative Arts Association / Code Red for Humanity - three new plays about service personnel’s lived experiences of humanitarian operations to alleviate the climate crisis.
FORCES AT THE FRINGE 2024 – FRONTLINES & LIFELINES, The War Poets Collection, Edinburgh Napier University
THE ARMED MAN AT THE WAR POETS COLLECTION (2024)
Royal Regiment of Scotland Band with KSF and US Navy Musicians / Concert marking the 25th anniversary of the end of Kosovo War and 75th anniversary of founding of North Atlantic Treaty Organisation
FORCES AT THE FRINGE 2024 – FRONTLINES & LIFELINES, The War Poets Collection, Edinburgh Napier University
EVERYTHING UNDER THE SUN (2023)
Jack MacGregor / New Drama about British Army Peacekeeping in Mali as part of MINUSMA force.
ONR for ARMY AT THE FRINGE 2023 – CONNECTED PASTS, CREATIVE FUTURES
WARRIORS (2023)
Alex Shannon, Danny Muir, Peter McKinley / a new musical about experience of young Scottish Soldiers’ first tour to Afghanistan.
ONR for ARMY AT THE FRINGE 2023 – CONNECTED PASTS, CREATIVE FUTURES
CTRL ROOM:_
Blackhound Productions / New Immersive experience about teechnological future of warfare.
ARMY AT THE FRINGE 2023 – CONNECTED PASTS, CREATIVE FUTURES
OPERATION FRINGE (2023)
Augmented reality trail inspired by Stories from Tomorrow by PW Singer and August Cole.
ONR for ARMY AT THE FRINGE 2023 – CONNECTED PASTS, CREATIVE FUTURES
ARMY AT THE FRINGE 2022 – DIFFERENT VOICES, ONE TEAM
LEGIONNAIRES (2011)
Rehearsed reading of work by contemporary Latvian playwrights Carl Alm, Kārlis Krūmiņš, Ieva Kauliņa and Valters Sīlis, programmed in response to Russia’s full scale invasion of Ukraine.
SINGING GREEN (2018)
Rehearsed reading of work by contemporary Estonian playwright Karl Koppelmaa, programmed in response to Russia’s full scale invasion of Ukraine.
CONTACT LINE 2022
Rehearsed reading of work by contemporary Lithuanian playwright Laurynas Katkus, programmed in response to Russia’s full scale invasion of Ukraine.
ONR for ARMY AT THE FRINGE 2022 – DIFFERENT VOICES, ONE TEAM
IT IS I WHO MUST BEGIN (2022)
Valerie Edmond and Elaine Stirrat / Rehearsed readings of 20th Century Hungarian, Czech and Polish authors by recent graduates of the Royal Conservatoire of Scotland.
ONR for ARMY AT THE FRINGE 2022 – DIFFERENT VOICES, ONE TEAM
BÀRDACHD COGAIDH (2022)
Gillebrìde MacIllemhaoil / Bi-lingual performance lecture about Gaelic War Poetry.
ONR for ARMY AT THE FRINGE 2022 – DIFFERENT VOICES, ONE TEAM
I’LL MAK YOU BE FAIN TO FOLLOW ME (2022)
2SCOTS Warrant Officers and Sergeants’ Mess / A recreation of a British Army Burns Supper Recital.
ONR for ARMY AT THE FRINGE 2022 – DIFFERENT VOICES, ONE TEAM
SANDCASTLES (2017)
Museum of Architecture / Installation of Architecturally Designed Sandcastles.
InTRANSIT17 – ISLAND LIFE, Design Museum, Saatchi Gallery and Portobello Market
ESCAPE ARTISTS (2017)
RCM x CSM / Immersive presentation of new compositions by graduating composers, designed by graduating performance designers.
InTRANSIT17 – ISLAND LIFE, North Terrace, SW3
ADRIFT (2016)
Haris Kittos / Live performance installation featuring 50 local singers, composer Haris Kittos, composition students from RCM and soloists from London Contemporary Orchestra.
ONR for InTRANSIT16 – STRANGE BEDFELLOWS, South Kensington Underground Station and the Victoria and Albert Museum
HARDCORE, OIL & GOLD (2016)
Charlie Warde, Andy Aderinto, James Torrance/ New artwork looking at Trellick Tower to celebrate its 50th anniversary.
ONR for InTRANSIT16 – STRANGE BEDFELLOWS, Trellick Tower
PINHEAD (2016)
CSM / art works and performances by emerging artists from Central St Martins, reflecting on 40th anniversary of punk in relation to 21st Century Britain.
ONR for InTRANSIT16 – STRANGE BEDFELLOWS, Portobello Market
IN MEMORY OF LEAVES (2016)
Natasha Langridge / A poetic monologue on the theme of people on the move.
InTRANSIT16 – STRANGE BEDFELLOWS, Dovehouse Green; Sutton Dwellings SW3, Kensington Town Hall W8, Athlone Gardens W10.
MEMOIRS OF A TREE (2015)
Natasha Langridge / A intimate encounter with re-development and Occupy Democracy through the passing of an urban tree.
InTRANSIT15 – UTOPIAS AND REALITIES, Athlone Gardens W10.
AN OTHER WORLD (2015)
Giuseppe Marinetti / Immersive symposium exploring roots and branches of art and activism.
ONR for InTRANSIT15 – UTOPIAS AND REALITIES, The Victoria and Albert Museum
FAST MOVING CONSUMABLES (2015)
The Working Party Theatre Company / a durational exploration of the future of employment in an age of ideological austerity.
InTRANSIT15 – UTOPIAS AND REALITIES, Ladbroke Grove Underground Station
54 CITIES (2015)
Holly Gramazio as Matheson Marcault / a set of 54 playing cards (4 suits and 2 jokers) which draw together history and fantasy in a game encompassing the Royal Borough of Kensington and Chelsea.
InTRANSIT15 – UTOPIAS AND REALITIES, artefact.
PARK LIFE (2015)
Mari Frogner / Experiential dance work exploring our relationship with green spaces.
InTRANSIT15 – UTOPIAS AND REALITIES, Cremorne Gardens, Chelsea
RUINS OF EMPIRE (2015)
Akala and Paul Gladstone-Reid / a multi-sensory narrative examination of the nature of resistance. A happening, a journey, a dis-placement and a dream.
ONR for InTRANSIT15 – UTOPIAS AND REALITIES, The Dissenters Chapel, London
SPINNING THREADS (2015)
Denise Bryan / a participatory weaving sculpture
InTRANSIT15 – UTOPIAS AND REALITIES, Kensington Town Hall
DWELLING WITH ANGELS (2014)
London Contemporary Orchestra / Including a new composition by Edmund Finnis.
InTRANSIT14 – TO DWELL IN UNITY, Holy Trinity Church
CHINESE POLE (2014)
Clare Charnley / Group action generated by a megaphone, a curtain pole and invention.
InTRANSIT14 – TO DWELL IN UNITY, public spaces in Kensington & Chelsea
RARITY SHOWS (2014)
Geoff Tibbs / New artwork drawing on pre-cinema optical devices.
InTRANSIT14 – TO DWELL IN UNITY, Acklam Village
NESTING INSTINCT (2014)
KIN (Cultura Plasmic Inc) / Human-sized bird-box with soundscape.
InTRANSIT14 – TO DWELL IN UNITY, Acklam Village
CONTEMPLATING COMMUNITY (2014)
Archivate / Add your voice to a multimedia installation in the library.
InTRANSIT14 – TO DWELL IN UNITY, Kensington Central Library
HOME FROM HOME (2014)
Natasha Vicars / Community arts project resulting in printed deckchairs - take a seat in the borough’s front rooms.
InTRANSIT14 – TO DWELL IN UNITY, Acklam Village.
IT’S PUBLIC (2014)
Cardboard Citizens / Intervention exploring homelessness in public space – two people (one sleeper, one lunch-eater), one bench.
InTRANSIT14 – TO DWELL IN UNITY, public spaces in Kensington & Chelsea.
FLOCK – LSO Soundhub (2014)
Maxim Bendall (sound) X Tim Casson, Mari Frogner & Joe Garbett (movement) with design by Helen Scarlett O’Neill and Tea Mulabdic / Dance for two.
ONR for InTRANSIT14 – TO DWELL IN UNITY, Louis T Blouin Institute
PUBLIC HOUSE (2014)
You & Me Architecture / Interactive domestic architecture intervention featuring performative works by various artists.
InTRANSIT14 – TO DWELL IN UNITY, Acklam Village
BREATHING LIGHT (2011)
Kira Zhigalina (KiRa) / Light installation guiding people through waterlogged corridors, emphasising the “life of it’s own” the building has had for 10 years.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
ORFEO SONG CYCLE (2011)
The London Contemporary Orchestra and Dane Jeremy Hurst with projection Design by Kira Zhigalina (KiRa) / The audience emerge onto a darkened subterranean stage - Rambert dancers perform new choreography to Harrison Birtwistle’s The Orpheus Elegies.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
BATTLE - WASTELAND (2011)
Dane Jeremy Hurst (movement) and Haxan Cloak (sound) with installation by Tea Mulabdic / When an unfamiliar authority inhabits a foreign space, there is an immediate clash – ravaged, they lie in wait confined to lingering ritualistic dances.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
SOMETHING GREEN (2011)
Hannah Jerrom / Seeds scattered onto damp ceiling tiles bloom into a garden – seeds are also given to the audience, to spread the growth.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
Queen’s HEAD of Commonwealth Plates (2011)
Kay Aplin / Community project involving local adults creating images of the Queen, transferred onto 53 plates – one for each Commonwealth member state.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
DINNER OF BONES (2011)
Garrett Moore & Miguel H Torres Umba / Theatrical installation featuring men in tuxedos at a banquet.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
PEOPLE IN TRANSIT (2011)
Mari Frogner X Exquisite Corpse / Movement inspired by people observed in public transport stations with music combining live instruments, urban noise recordings and interviews exploring what we might mean by “common” and “wealth”.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
10 YEARS OF JUNK MAIL (2011)
Susana Oliver / Art installation using the 10 years' worth of unopened post present within the building.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
CONCERTO FOR BRUTALIST BUILDINGS (2011)
The NeoFuturist Collective / 4-part homage to the Brutalist architecture movement in voice and recorded soundscapes.
FFTA for World Listening Day 2011 – COMMON SOUNDS: Touching the Void, former Commonwealth Institute (now the Design Museum), London
Surrealist Taxi (2010)
Helen Scarlett O’Neill & Harry Ross / A taxi service to nowhere, inspired by the Surrealist deck of cards.
Anywhere anytime - just call, featured at Berlin Month of Performance Art & Camden Fringe
The Tower (2010)
Helen Scarlett O’Neill & Harry Ross / A series of financial consultations using Tarot Cards, the outcomes of which were hung as prayers on the young trees of Canary Wharf.
FFTA for Chicago Calling arts festival, filmed in Canary Wharf, screened in Chicago
Two Square Arms (2010)
Alexandra McGlynn & Aurelia McGlynn Richon (sound) X Baptiste Bourgougnon / A mother and daughter generate sounds based on family visits to Isle of Dogs and Stepney, which are interpreted as movement reflecting urban life – small, repetitive and pedestrian.
FFTA for World Listening Day 2010 - SOUNDSCAPES OF EAST LONDON, Crondall St carpark
Double Re-Act (2010)
mimosa|moise (Lucia H Chung & Martin Thompson) (sound) X Aleksandra Borys (movement) / A dancer moves between two points, dictated by, though also unknowingly dictating, the sounds of her environment.
FFTA for World Listening Day 2010 - SOUNDSCAPES OF EAST LONDON, Crondall St carpark
Liquid Evolution (2010)
Gregory Emfietzis (sound) X Marina Marquez (movement) / Movement developed from daily dance meditations by Lavender Pond and the Thames in dialogue with musicians Myrto Loulaki (singer, multi-instrumentalist) and Guilermina Chivite (violin) of Metapraxis Ensemble.
FFTA for World Listening Day 2010 - SOUNDSCAPES OF EAST LONDON, Crondall St carpark
Is it? (2010)
Harry Ross (sound) X William Collins (movement) / There was a lock-up garage, opening - is it?
FFTA for World Listening Day 2010 - SOUNDSCAPES OF EAST LONDON, Crondall St carpark
Be aware of the silence from where sound starts (2010)
Victoria Karlsson (sound) X Deborah Anné (movement) / A heightened ethereal character sets on mastering her continuous stream of sound - shifting from hopeless distraction to deep understanding, she accepts the difficulty of this.
FFTA for World Listening Day 2010 - SOUNDSCAPES OF EAST LONDON, Crondall St carpark
Beyond The Lost Horizon (2010)
Exquisite Corpse (sound) X Mari Frogner (movement) / Performers equipped with brooms and brushes individually explore the physical qualities of environmental sounds, showing music and dance as ongoing activity.
FFTA for World Listening Day 2010 - SOUNDSCAPES OF EAST LONDON, Crondall St carpark
START! - a NeoFuturist opera in 5 movements (2010)
Joseph Young (sound) X Christine Lockhart (movement) / A NeoFuturist opera in words, sound and movement, with car horns, radios and engines as its' principal instruments.
FFTA for World Listening Day 2010 - SOUNDSCAPES OF EAST LONDON, Crondall St carpark
Reducing the ISOKON to IKEA in 12 Functions
Harry Ross and Helen Scarlett O’Neill / Looking for the 12 Functions, outlined in Hannes Meyer’s design philosophy, within an IKEA store.
FFTA for Bauhaus 9090, shot in Wembley IKEA, screened in Chicago